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Arlen Roth Lessons
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Arlen Roth
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This is an exciting “one-man band” kind of rhythm style, and will take some major right-hand discipline to execute properly. But when you do, you’ll find this to be an extremely exciting and rewarding way to play.
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Hybrid picking is what I always refer to as "pick and finger.” An extremely versatile and flexible technique, it allows you to combine the best of both worlds: flatpicking and fingerpicking together! This is great for learning the great piano-style licks of Buddy Guy, and the great pedal-steel sounds of Clarence White of the Byrds.
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Here’s a great lesson that is an expansion on my past lesson about R&B arpeggios.
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These are some of the most well-known and storied positions that come out of the major pentatonic positions, so favored by Duane Allman and Dickey Betts during the heyday of the Allman Brother Band. The position itself is an easy one to understand, but it’s the phrasing and the kind of runs that are created that make this Allman style so unique.
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This subject may seem just like another fingerpicking idea, but in this case, we are truly playing a lead “part” above the constant bass. Also, most of the time, we see this bass in the “shuffle” or “dotted 8th” form, whereas this exercise is based on straight 8th notes, played at a fairly rapid clip.
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