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Arlen Roth Lessons
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This bending technique is often misunderstood due to the fact that some folks think an “overbend” is just that … a bend that goes too far! Well, actually, it’s almost always a step and a half, or three frets in length, and has been used for years by such legendary blues benders such as Eric Clapton, Otis Rush and Buddy Guy.
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This kind of position is most often associated with country and especially Southern Rock, which always has used many harmony positions. The secret behind this particular one is that it utilizes exactly the same position and bend approach in all 3 cases, creating what would be a three-part or two-part harmony.
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This is the second part of this famous lick made so popular by the great Elmore James.
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It involves a wonderful use of pick and finger, or “hybrid” picking for a banjo kind of effect, while the left hand is playing a classic “pedal steel” kind of bend position for open G.
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This is one of the first “variations” we can come up with within the “block” chord major pedal-steel lick position.
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