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Arlen Roth Lessons
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The “Train Whistle” lick utilizes the technique of half-step bending, producing one of the most unique guitar sounds available to players. The lick has developed into two very distinct styles, or positions: one is the more standard folk-blues style, and the other is the more advanced two-string bend, which produces an almost Hawaiian-style approach.
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The alternating bass has an entirely different feel and stylistic bent compared with the constant bass in the last lesson, yet they are totally related to each other, and can even be interchangeable.
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This technique, made famous by many great players but most notably Jerry Reed, is usually created by using a thumb pick and fingers, or the hybrid “pick and finger” style. It’s basically a “grabbing” type action of the open positions, hence the “claw” name.
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This is a great, tried and true lick I’ve used for years, and have always played it not only as a turnaround but also as a lick unto itself within songs. The variations that can be created with the use of this lick as a basis are mind-boggling, and I’ll be sure to show you some in the course of this lesson.
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This is a very challenging technique and style that is the next natural step from last week's lesson, Harmonizing With Open Strings. This again, is a style I picked up largely from my late friend, the great Danny Gatton, and if you spend any time listening to some of his improvisations you’ll be sure to pick up on some of these banjo-like runs.
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