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Arlen Roth Lessons
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Arlen Roth
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As I’m sure you’ve sometimes noticed, two-note positions are somewhat ambiguous and can define many different chords that share their notes. But it’s through the use of moving double-stop lines like the ones in this lesson that we can begin to understand not only the chord shapes they come from, but the chords we are moving to and from melodically as we shift positions.
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Everyone loves the sweet and sultry sound of soul guitar, and these double-stop licks are what really sets this style apart from others. Throughout this lesson, the tasty double-stop approaches of Cornell Dupree, Steve Cropper, and Jimi Hendrix will be discussed, along with the proper techniques utilized with them.
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Today we are talking about the “Mary Had a Little Lamb” lick that was first created by Buddy Guy back in 1967. He had an album called, Man and the Blues, which I love, and it’s an album that influenced me and a lot of other people including Stevie Ray Vaughan.
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These are fairly unusual and you don’t see them taught very often. I’m doing two types of bends today, three if you count all the positions.
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What we are playing here is a rockabilly rhythm with a chromatic type run as part of a pattern. You can flatpick here, which has its own flavor, and what you get is a quick upstroke with that old timey feel.
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