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Arlen Roth Lessons
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We all know how useful the “5th fret is equal to the next open string” thing is, but what about the open string being equal to the next string at the 7th fret? Well, that’s what this lesson is all about; those cool octaves that can be created in this way.
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The Harmony Shuffle requires quite a bit more left-hand dexterity and coordination to accomplish over ordinary shuffles, but once you master them they become a great tool. I have long been a fan of these types of positions, and you will find them to be quite invaluable in many applications as well.
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This is a classic variation on the kind of Blues guitar and bass unison lines that became so popular as the result of the great Chicago blues players. I’ve personally been playing this lick for years, even recording “Treat Her Right” on my second LP, Hot Pickups. If you listen carefully to the original recording by Roy Head and The Traits there are actually two guitars playing on this part. We’re going to be playing it as one part, homogenized together.
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Today’s lesson is going to show you perhaps the No. 1 reason for B.B King’s incredibly recognizable style and technique. Even though he is a truly masterful and complex guitarist, he has over the years been whittling his style down to some very basic “signature” licks and runs that are instantly identifiable, such as the ones I’m about to show you.
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This approach towards slide guitar is often neglected by players who want to get into it because the proper techniques are overlooked. The tilting and angling of the slide for achieving true accuracy are very important, and of course, the all-important right-hand dampening goes a long way towards achieving this sound.
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