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Arlen Roth Lessons
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When one starts to utilize the various pentatonic scales, it becomes quite apparent that after awhile certain “outside” or “passing” notes become necessary to stretch these scales and their potential. What happens is there is a whole new array of licks and phrases that are born out of these notes being added, and the possibilities are endless.
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This technique is very Dobro-like in its sound and approach and has a great similarity to some of the licks we were doing previously in open G tuning, which means we’re using slide tilting and angling to create those great open position harmonies associated with this style.
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Everyone loves the sweet and sultry sound of soul guitar, and these double-stop licks are what really sets this style apart from others. Throughout this lesson, the tasty double-stop approaches of Cornell Dupree, Steve Cropper, and Jimi Hendrix will be discussed, along with the proper techniques utilized with them.
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The harmonic “raking” technique is rarely shown, and it relates most to the old-time jazz styles of such greats as Tal Farlow, Joe Pass, Les Paul, and many others. I have adapted it to all types of styles, and once you know it you’ll find it a handy little technique that can be “thrown in” to many playing situations.
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Arlen Roth
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This is quite an advanced technique that I’ve been perfecting over the years, and as a guitarist it’s often best to utilize these licks as a substitution for hammers, pull-offs or slides. I first started using these when I was a very young player trying to emulate the great Clarence White of The Byrds, who had, unbeknownst to me, invented a B-string pull device for his guitar that acted very much the way a pedal steel guitar pulls its strings.
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