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Arlen Roth Lessons
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Arlen Roth
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Bending two notes at a time is an art form many guitarists don't try to conquer. But in this lesson you'll see how there is really no mystery to it.
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This is yet another critical lesson for the guitarist who wants all of the tools of the trade. The suspended 4th is an important sound to begin to recognize, and it’s an important part of ear training. The positions are very different all over the neck, but their roots are, as always, based in the original open suspended 4th chord positions.
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This is perhaps the single most important aspect of understanding rhythm and rhythmic guitar playing. One must remember that any instrument is to a certain degree a “percussion” instrument, and that it’s the constant and unrelenting rhythm of the right hand that determines the true sound of the rhythm lick, and that also carries over into the lead fills and licks as well.
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This great lick I learned right from Roy Buchanan’s first LP for Polydor, titled Roy Buchanan, from 1972. It’s a great example of how a country lick technique can be applied to the blues. It also illustrates the usage of a half-step or single-fret bend in place of a whole-step bend.
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Most guitar players tend to only bend a whole-step, or two frets in length, without realizing that many times a half-step, or one-fret bend can be just as effective. In some cases it can even be more effective. The musical effect is totally different, and in many ways possesses a sweeter, more melodic sound than most of our usual whole-step bends.
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