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Arlen Roth Lessons
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Arlen Roth
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This is a very challenging technique and style that is the next natural step from last week's lesson, Harmonizing With Open Strings. This again, is a style I picked up largely from my late friend, the great Danny Gatton, and if you spend any time listening to some of his improvisations you’ll be sure to pick up on some of these banjo-like runs.
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Over the years, blues songs and their respective solos have resulted in some truly classic introductions that can really set the tone and mood for each particular song or solo. Those same unforgettable introductions can also teach us a great deal about the song or solo.
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This is a great style, and again requires a really deft right-hand technique. Many of the great funk players such as Jimmy Nolen, Cornell Dupree and Curtis Mayfield have always utilized their right hands to great percussive heights, and this is really what is at the heart of these kinds of runs.
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Arlen Roth
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This is a little known approach within slide guitar playing, yet it’s one of the most attractive. I’ve always felt that lead guitarists in general spend too much time concentrating on the higher strings and positions, while neglecting some of the equally cool, if not cooler, lower positions available to them.
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Arlen Roth
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This is a technique I’ve long been known for, and I sort of picked it up by listening to the late, great Clarence White. When I was just a kid loving and learning from White’s playing on the Byrds’ records, I was unaware that he had invented the B-string “bender,” which is a mechanical string-pulling device that had been built into his guitar. Instead, I started emulating this effect by bending the strings with my fingers, while still recreating the mechanical pedal steel-like sound.
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