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Arlen Roth
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Today I’m going to talk about combining harmonics with certain chord positions. Harmonics can be found all over the guitar, and it’s something u should experiment with when you have time.
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Here’s a great application of the “hybrid” style of picking, added to Chuck Berry-style licks. This is a great lick that I first picked up in this manner from the great Danny Gatton. It involves a wonderful kind of syncopation that is strictly established by the “hybrid” picking style. As you’ll see, it creates a kind of “circular” motion to the lick, with a nicely “pedaled” root note.
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A natural extension of the previous lesson, the "banjo rolls" I'm talking about are very strict right-hand and left-hand positions that simulate the "roll" of banjo licks, while still remaining truly guitar oriented. A great tool, they also can help with dampening, and learning to create patterns on the fly.
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I first became acquainted with this style by listening to and admiring one of my earliest guitar heroes, Mike Bloomfield. His approach to blues runs utilizing an almost “cascading” and “rolling” style was what led me to this technique. I loved the way he liked to make the notes “blur” together a bit this way, and I have found that over the years, hybrid picking is really the way to play these – if not the only way – because they can only be accomplished with a flat pick.
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These are fairly unusual and you don’t see them taught very often. I’m doing two types of bends today, three if you count all the positions.
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