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Arlen Roth Lessons
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The use of slides are critical to the success of this lick, and as you’ll see me point out, the “turn of the wrist” is much more aided by the use of the second finger, rather than the typically used third finger in this kind of a run.
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This is a study in one of the true classic Chicago Blues licks of all time, and it’s one that steps slightly out of the realm of your typical 12-bar blues phrases.
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Getting to know these positions is another one of those critical “building blocks” you need on the way to knowing all the correct “archetypes” of the guitar. First, we work on them in the open chord forms, and then see how they are as we use partial forms of them up the neck in closed forms.
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In this lesson I’m going to look at open string harmonies and pull offs that can be combined with descending double stop runs.
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This bending technique is often misunderstood due to the fact that some folks think an “overbend” is just that … a bend that goes too far! Well, actually, it’s almost always a step and a half, or three frets in length, and has been used for years by such legendary blues benders such as Eric Clapton, Otis Rush and Buddy Guy.
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