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Arlen Roth Lessons
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This is a great style, and again requires a really deft right-hand technique. Many of the great funk players such as Jimmy Nolen, Cornell Dupree and Curtis Mayfield have always utilized their right hands to great percussive heights, and this is really what is at the heart of these kinds of runs.
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This is a very challenging technique and style that is the next natural step from last week's lesson, Harmonizing With Open Strings. This again, is a style I picked up largely from my late friend, the great Danny Gatton, and if you spend any time listening to some of his improvisations you’ll be sure to pick up on some of these banjo-like runs.
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This style, most often associated with Jimi Hendrix, Cornell Dupree, and Steve Cropper, consists of harmony notes played in many cases using slides, as well as hammer-ons and pull-offs.
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Over the years, blues songs and their respective solos have resulted in some truly classic introductions that can really set the tone and mood for each particular song or solo. Those same unforgettable introductions can also teach us a great deal about the song or solo.
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Open G is one very flexible tuning, and the possibilities for slide players are endless. The open positions offer a great deal of open harmonies for that very Dobro-like effect so often employed by players such as Ry Cooder, Lowell George, Bonnie Raitt and Lee Roy Parnell. They also, however, require a good deal of slide accuracy.
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