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When first hearing the term “tenth” in music, it may seem baffling, but it’s simply a way to tell you that we have now jumped an octave over the initial eight notes of the scale. It’s really an interval in 3rd that now contains a note that is substituted by a higher or lower note, octave-wise. This is how a 2nd can become a 9th, for example. In this case, a 3rd becomes a 10th. This is just some basic theory dealing with the mathematical relationships of notes.
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This bending technique is often misunderstood due to the fact that some folks think an “overbend” is just that … a bend that goes too far! Well, actually, it’s almost always a step and a half, or three frets in length, and has been used for years by such legendary blues benders such as Eric Clapton, Otis Rush and Buddy Guy.
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This is a fun and rewarding exercise that will help you get a lot more out of your pentatonic scales. By “back track” I essentially mean that the next-to- last note of each run then becomes the starting note for the following run, and on and on. In other words, a scale of 12 notes can literally become a smooth run consisting of approximately 24 or more notes. It also will help you develop a more sophisticated way of phrasing, and help you to create many more useful licks.
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This is definitely one of those “little secrets” that we guitar players like to keep to ourselves from time to time, but now thanks to Gibson.com, you’re getting it all!
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This piece by the great Robert Johnson is one of the most identifiable slide songs and licks ever, and is an important part of slide guitar development for you. In this example, we are using open E tuning to play its classic main lick, as well as the famous slide fills it incorporates.
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