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This is a great style, and again requires a really deft right-hand technique. Many of the great funk players such as Jimmy Nolen, Cornell Dupree and Curtis Mayfield have always utilized their right hands to great percussive heights, and this is really what is at the heart of these kinds of runs.
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This style, most often associated with Jimi Hendrix, Cornell Dupree, and Steve Cropper, consists of harmony notes played in many cases using slides, as well as hammer-ons and pull-offs.
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As I’m sure you’ve sometimes noticed, two-note positions are somewhat ambiguous and can define many different chords that share their notes. But it’s through the use of moving double-stop lines like the ones in this lesson that we can begin to understand not only the chord shapes they come from, but the chords we are moving to and from melodically as we shift positions.
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Everyone loves the sweet and sultry sound of soul guitar, and these double-stop licks are what really sets this style apart from others. Throughout this lesson, the tasty double-stop approaches of Cornell Dupree, Steve Cropper, and Jimi Hendrix will be discussed, along with the proper techniques utilized with them.
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Today we are talking about the “Mary Had a Little Lamb” lick that was first created by Buddy Guy back in 1967. He had an album called, Man and the Blues, which I love, and it’s an album that influenced me and a lot of other people including Stevie Ray Vaughan.
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