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Arlen Roth Lessons
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When one starts to utilize the various pentatonic scales, it becomes quite apparent that after awhile certain “outside” or “passing” notes become necessary to stretch these scales and their potential. What happens is there is a whole new array of licks and phrases that are born out of these notes being added, and the possibilities are endless.
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This technique is very Dobro-like in its sound and approach and has a great similarity to some of the licks we were doing previously in open G tuning, which means we’re using slide tilting and angling to create those great open position harmonies associated with this style.
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This is quite an advanced technique that I’ve been perfecting over the years, and as a guitarist it’s often best to utilize these licks as a substitution for hammers, pull-offs or slides. I first started using these when I was a very young player trying to emulate the great Clarence White of The Byrds, who had, unbeknownst to me, invented a B-string pull device for his guitar that acted very much the way a pedal steel guitar pulls its strings.
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Here are some great open position licks that really evoke the style and touch of the great Stevie Ray Vaughan, and many other greats such as Jimi Hendrix, Robin Trower, Buddy Guy and Otis Rush.
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These are highly specialized runs that incorporate not only harmonized runs, but the shifting into higher positions that take the harmony to higher places. It’s important to understand these kinds of runs so you can experiment with others and find some new places to create new and interesting harmonies.
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