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This kind of position is most often associated with country and especially Southern Rock, which always has used many harmony positions. The secret behind this particular one is that it utilizes exactly the same position and bend approach in all 3 cases, creating what would be a three-part or two-part harmony.
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This is perhaps the single most important aspect of understanding rhythm and rhythmic guitar playing. One must remember that any instrument is to a certain degree a “percussion” instrument, and that it’s the constant and unrelenting rhythm of the right hand that determines the true sound of the rhythm lick, and that also carries over into the lead fills and licks as well.
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This great lick I learned right from Roy Buchanan’s first LP for Polydor, titled Roy Buchanan, from 1972. It’s a great example of how a country lick technique can be applied to the blues. It also illustrates the usage of a half-step or single-fret bend in place of a whole-step bend.
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Some of my favorite licks to play or teach, these really put hybrid picking to the test! The feel has to be just right, and I’ll make sure you get the correct left and right hand syncopation. It’s one of those cool positions that’s like riding a bike, once you’ve got it you’ll never “unlearn” it!
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Most guitar players tend to only bend a whole-step, or two frets in length, without realizing that many times a half-step, or one-fret bend can be just as effective. In some cases it can even be more effective. The musical effect is totally different, and in many ways possesses a sweeter, more melodic sound than most of our usual whole-step bends.
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