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Arlen Roth Lessons
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Arlen Roth
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This style is one of the most imitated and recycled sounds in the history of the guitar, yet many players are either not familiar with it, or simply play it wrong.
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When first hearing the term “tenth” in music, it may seem baffling, but it’s simply a way to tell you that we have now jumped an octave over the initial eight notes of the scale. It’s really an interval in 3rd that now contains a note that is substituted by a higher or lower note, octave-wise. This is how a 2nd can become a 9th, for example. In this case, a 3rd becomes a 10th. This is just some basic theory dealing with the mathematical relationships of notes.
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This position is extremely useful, and of course, it’s not ONLY a turnaround lick. In piano playing circles, however, it is one of the most recognizable licks of all, and so much so that it’s almost become a cliché. Ray Charles was a master of this lick, but you can also hear it in the playing of other piano greats such as Jerry Lee Lewis, and some of the great New Orleans players like Fats Domino and Dr. John.
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The combination of shapes and scales on the guitar is probably the single most important tool to the improviser. Even when I first taught myself these kinds of positions, I was not yet truly aware of the fact that I was essentially creating a “double-exposure” of scale positions that could be easily taught.
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The C7 chord position is one of the most useful and fun chords on the guitar, and can be a real revelation once you get the hang of it. The exercise I'll teach you today that uses this position also happens to be one of the best left-hand chord exercises you can learn.
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