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This bending technique is often misunderstood due to the fact that some folks think an “overbend” is just that … a bend that goes too far! Well, actually, it’s almost always a step and a half, or three frets in length, and has been used for years by such legendary blues benders such as Eric Clapton, Otis Rush and Buddy Guy.
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This is a unique stylistic approach I stumbled upon many years ago when coming up with more pedal-steel-like runs that didn’t require bending. Rather, the utilize harmonics that substitute for normally fretted notes in the exact same positions, and when played properly with a “roll” style, can really make an entirely new sound on the guitar!
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The single most important aspect of all slide guitar playing is the ability with the right hand to block and damp successfully to cut out the unwanted notes and noises.
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As I’m sure you’ve been able to tell, standard tuning slide offers its own set of challenges and rules. Best of all, it also has some of the more unusual licks and positions to be achieved within slide guitar, and in this lesson we will address some of those ideas.
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A natural extension of the previous lesson, the "banjo rolls" I'm talking about are very strict right-hand and left-hand positions that simulate the "roll" of banjo licks, while still remaining truly guitar oriented. A great tool, they also can help with dampening, and learning to create patterns on the fly.
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