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Arlen Roth Lessons
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This is the second part of this famous lick made so popular by the great Elmore James.
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It involves a wonderful use of pick and finger, or “hybrid” picking for a banjo kind of effect, while the left hand is playing a classic “pedal steel” kind of bend position for open G.
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This is one of the first “variations” we can come up with within the “block” chord major pedal-steel lick position.
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This style, most often associated with Jimi Hendrix, Cornell Dupree, and Steve Cropper, consists of harmony notes played in many cases using slides, as well as hammer-ons and pull-offs.
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As I’m sure you’ve sometimes noticed, two-note positions are somewhat ambiguous and can define many different chords that share their notes. But it’s through the use of moving double-stop lines like the ones in this lesson that we can begin to understand not only the chord shapes they come from, but the chords we are moving to and from melodically as we shift positions.
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