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Arlen Roth Lessons
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Arlen Roth
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Bending two notes at a time is an art form many guitarists don't try to conquer. But in this lesson you'll see how there is really no mystery to it.
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Stevie Ray Vaughan in many ways followed in Jimi Hendrix’s footsteps, and loved to emulate many elements of Jimi’s style of playing. For one, he loved to tune down like Hendrix did. Also, by playing with a rhythm section (Double Trouble) similar to Jimi’s, Vaughan was able to create similarly “large” sounding rhythm parts that could really fill up the sound.
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I would like to start off our lessons together with an examination of two critical sets of scales. Again and again, I will be referring to and building upon these scales for a vast range of lessons in all different styles and genres, and they will also be extremely useful and powerful tools for you to open up your playing across the entire length of the fret board.
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This lesson is really a natural extension of the previous lesson on 9th chord slides. The "Memphis” lick, which takes it's name from the Chuck Berry tune of the same name, is based primarily on these 9th chord positions.
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We all know how useful the “5th fret is equal to the next open string” thing is, but what about the open string being equal to the next string at the 7th fret? Well, that’s what this lesson is all about; those cool octaves that can be created in this way.
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