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“Doobie wah?” Peter Frampton Talks Guitar

Michael Leonard
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04.11.2014

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Peter Frampton turns 64 on 22 April. The Englishman first found fame as a pop pin-up – he was dubbed “The Face of 1968” by teen magazine Rave and his usually bare-chested 1970s solo career made him a “heart-throb.” But behind all the stellar pop success, Frampton has also always been a superb guitar player. He still is.
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Memory Cable: Capture Your Ideas And Improve Your Playing

Peter Hodgson
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04.10.2014

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Perception is a funny thing. If you’ve ever listened to your voice on a recording, or caught your reflection in a mirror and didn’t recognize yourself for a second, you know what I’m talking about.
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5 Guitar Heroes Who Made It to the Top with an SG in Hand

Russell Hall
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04.09.2014

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It’s hardly surprising that many of rock’s most legendary guitarists have plied their craft on a Gibson SG. With its warm sustain, silky fretboard, and sharp cutaways, the SG is conducive to all types of playing—from searing solos to chunky rhythms to sinewy leads. Moreover, the SG’s sleek, lightweight design and striking beauty makes it a much-favored instrument for live performance.
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The Essential Doors Albums

Russell Hall
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04.09.2014

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In the years since Jim Morrison's untimely demise, interest in the Doors has waned at times, but invariably something comes along (a movie, a book) that kickstarts renewed fascination with the band. During their five-year reign as America’s premiere rock group, Ray Manzarek, Robby Krieger, John Densmore, and Morrison released a series of albums that both embodied and transcended the turbulent spirit of the late ’60s.
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Scales Tricks: Three-Note-Per-String-Scales and Neck Gymnastics

Peter Hodgson
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04.08.2014

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The three-note-per-string pattern is one of the easiest ways of remembering scales on the guitar, and it’s a format that lends itself especially well to high-speed playing techniques like economy picking or legato, too.
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P-90ST and P-90SR Pickups: Versatility with a Vintage Vibe

Craig Anderton
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04.08.2014

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The P-90 has a well-deserved reputation as a single-coil pickup with a big, fat, high-output sound—not the thin character often associated with single-coil pickups. So in designing the Les Paul Melody Maker, the daunting task for Gibson pickup guru Jim DeCola was to invent pickups that were worthy of the P-90 name, but could accommodate the Melody Maker’s mission to be the best value ever in a no-compromise Les Paul guitar.
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Sidewinder P-90H Humbucker: Back to the Future

04.08.2014

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The mission: deliver the fat, P-90 single-coil sound in a hum-cancelling humbucker design for Gibson’s bold Futura guitars. The first attempt, a stacked P-100 configuration, didn’t sound convincing enough to be a true P-90, so it was back to the drawing board…but also, back to the future.
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The Gibson Min-ETune™ Miracle

Ted Drozdowski
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04.08.2014

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When Gibson introduced the Robot Guitar in 2007, the instrument’s innovative self-tuning technology was an incredible breakthrough — saving time and allowing one guitar to do the job of several, at least in terms of being quickly available to power through a series of open and alternate tunings on stage without disrupting the flow of a set.
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DJ TALK: Artists Turn to Stanton Products to Facilitate their Craft

Russell Hall
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04.05.2014

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With more than 50 years of innovation behind it, Stanton has proved to be an industry leader in the design and manufacture of professional audio products. Many of the most renowned club DJs, mobile DJs and turntablists in the world turn to the company’s equipment to facilitate their craft.
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Billy Morrison - Les Paul Guitarist and Stanton DJ

Daniel Eriksson
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04.03.2014

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While you may not know Billy Morrison by name, chances are you’ve seen him on stage with some of the biggest rock stars out there, including the likes of Steven Tyler, and Slash.
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