USA: 1-800-4GIBSON
Europe: 00+8004GIBSON1
GibsonProductsStoreNews-LifestyleLessonsCommunity24/7 Support
Gallery Finish
Gallery Top
Gallery Bottom
Gallery Headstock
Nickel Grover Rotomatic TunersGrover’s original Rotomatic tuners are an engineering marvel, with style and performance exactly suited for the J-185 EC Rosewood. With a gear ratio of 14:1, the Rotomatics deliver precision tuning in a durable housing that provides maximum protection for the gear and string post. All moving parts are cut for exact meshing, eliminating the possibility of slippage. A countersunk tension screw lets players regulate the tuning tension to any degree. A special lubricant inside the gear box provides smooth and accurate tuning stability.

Split-Diamond Headstock Inlay
Gibson’s classic split-diamond headstock inlay first appeared on the legendary Super 400 in 1934. Since then, it has graced the headstocks of many legendary Gibson guitars, including today’s J-185 EC Rosewood, and many of the guitars built by Gibson Custom.

Pickguard
The tortoise pickguard for the J-185 EC Rosewood is a custom series designed especially for its distinct soft cutaway shape. As with all of Gibson Acoustic’s pickguards, the coloring, inlay, and binding are all done by hand.

Abalone Rosette
A rosette is the beautiful, hand-crafted circle around the soundhole, and can be one of the most ornamental elements of any acoustic guitar. It is also one of the most subtle and complicated woodworking decorations on any acoustic guitar. The rosette on the J-185 EC Rosewood is a double-ring rosette with an abalone-filled middle. The main ring consists of seven-ply binding, and the second ring is three-ply binding, adding a stylish, understated elegance to the J-185 EC Rosewood.

Ebony Fingerboard with Rolled Edges and Split Block Inlays
The fingerboard of Gibson’s J-185 EC Rosewood is constructed from the highest grade ebony on earth, which is personally inspected and qualified by Gibson’s team of skilled experts before it enters the Gibson factories. The resilience of this durable wood makes the fingerboard extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The J-185 EC Rosewood’s split parallelogram inlays are made of genuine mother of pearl, and are inserted into the fingerboard using a process that eliminates gaps and doesn’t require the use of fillers. The fingerboard also sports a rolled edge—instead of the usual right angle where the fingerboard surface meets the neck, Gibson Acoustic’s rolled edges are slightly beveled for an extremely smooth and comfortable feel, enhancing the playability of the J-185 EC Rosewood.

Body Tonewoods (back, sides and top)
The top of the J-185 EC Rosewood is made from AA-grade Sitka spruce, while the back and sides are constructed from AAA-grade Indian rosewood, giving the J-185 EC Rosewood a warm, rich tone combined with the usual full lows and well-defined highs of a Gibson Jumbo. Selecting the right wood, and the formula to dry it out, are two of the most central procedures to Gibson’s guitar-building process. Beginning with its first catalog in 1903, Gibson has assured its customers that every guitar would be built using woods with “the most durable, elastic, and sonorous qualities,” and today’s guitars from Gibson Acoustic are no different.

Fishman Aura Pro Acoustic Pickup System
Gibson’s J-185 EC Rosewood comes equipped with a built-in Fishman Aura Pro, featuring Fishman’s popular Aura Acoustic Imaging Technology. This ground-breaking pickup system reproduces the natural sound of the J-185 EC as miked in a professional studio, and onstage, thus eliminating the complicated setups of expensive microphones. Auro Pro uses digital algorithms to create images of various microphones’ captured sounds. Players can then blend these images with an acoustic guitar’s pickup to produce an immediate and dramatic improvement in amplified sound. The Fishman Aura Pro’s preamp includes a tuner, and is mounted on the bass side rim of the upper bout.

Bracing
Every acoustic guitar made by Gibson features hand-scalloped, radiused top bracing inside the body, a feature normally found only in limited run, hand-made guitars. By scalloping each brace by hand, the natural sound of the acoustic is focused more toward the center of the body, enhancing the instrument’s sound projection. The bracing pattern inside the J-185 EC Rosewood was created in 1951 as a smaller version of the design used in the Gibson’s legendary Super Jumbos. This traditional “X” pattern delivers an exceptionally balanced tonal palette ideal for both the stage and studio environments, making the J-185 EC a standard choice among today’s discerning players.

Features

  • Gibson Logo
  • Tapered Dovetail Neck Joint
  • Radius Top
  • Nitrocellulose Finish
  • Body Binding